2020. 3. 2. 05:53ㆍ카테고리 없음
Contents.Plot Sahi Dhandhe Galat Bande is the story of a gang composed of four friends: Rajbir , Sexy (Vansh Bharadwaj), Ambani (Ashish Nayyar) and Doctor (Kuldeep Ruhil), who are given a job which will give them enough money to make all their dreams come true, but to achieve the same they will have to go against their conscience and the village, Kanjhawla, to which they belong. Retrieved 13 July 2011. Retrieved 13 July 2011.
Sahi Dhandhe Galat Bande Movie
The Times Of India. 10 December 2010.
Retrieved 13 July 2011. Dainik Bhaskar (19 August 2011). Dainik Bhaskar. Aniruddha Guha (19 August 2011).
DNA India. Movie Talkies (19 August 2011).
Sahi Dhandhe Galat Bande दिखाइए
Movie Talkies. Shaikh Ayaz (19 August 2011). Archived from on 27 September 2011. Retrieved 6 September 2011. CS1 maint: archived copy as title.
Retrieved 2 January 2016. Archived from on 26 January 2016. Retrieved 6 January 2016.External links.
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Sahi Dhande Galat Bande, like its title, has its heart at the sahi place but the execution, though certainly not galat, could have been much more gripping and entertaining.Rajbir , Sexy , Ambani and Doctor are a gang of four friends who work for the local don, Fauji (Sharat Saxena). Farmers from the same village are protesting against the forcible land acquisition by the hands of Chief Minister (Kiran Joneja Sippy) so that a factory can be set up for industrialist Agarwal (Anupam Kher). Although the film ideally comes across as a comedy, it lacks the requisite dose of humour, despite having the potential.
With languid dialogues and some flaccid scenes, the writing leaves a lot to be desired. The screenplay does boast of some sporadic sparkling moments like when the quartet negotiate with a victim for cutting off his limb or when their hostage escapes. Also, the gang’s face-off with a rival gang results into amusing outcome. But beyond that the film could have been much funnier, faster and crisper. Cinematographer Anshul Chobey shows a different picture of North India beyond the sarso-ke-khet, which is rough-and-rugged.
But the grainy and burnt-bronze print gets disturbing rather than having an effect. Siddharth-Suhas and Dhruv Dhalla’s musical score, thankfully restricted to the background, makes up for the flatness is several scenes (esp. The chase sequences) with its racy-n-rocking Punjabi flavour. But the stylized slow-motion action shots in the climax seem too contrived and needlessly push the film in Salman Khan zone.